AtS: No Limits is a not
for profit fan-based effort not intended to infringe on the rights of
Mutant Enemy, Fox, Joss Whedon, or any of the other copyright holders
of Angel. We are not affiliated with the WB or with Showtime.
The rating for this season will not go higher than an R.
This season is slash-friendly.
Episode 6.8 Still the Same Old Story
by: Wolfling and WesleysGirl
1979
The movie theater was the kind of building that had a
lot of character, probably because it hadn't always been a
movie theater, even though it had been one for almost
twenty years now. The windows and glass doors out front
took a lot of cleaning to keep them looking good, and if
there was a tiny crack at the bottom of one of the doors,
well, not too many people noticed, and if they did they
didn't think about it for long. It was the
atmosphere of the place that was important: the high
ceilings, the somewhat faded but still opulent gilt trim.
It had the air of a place that was well-loved, even if the
flow of money was no longer quite as impressive as it had
once been.
Posters out front declared that The Deer Hunter
was currently being shown in the afternoons and
Superman in the evenings, with a classic film
festival planned for the following week. Inside, in the
lobby, the ticket counter was being manned by an older
gentleman with graying hair at his temples who'd been
working there for twenty years and had the air of someone
who didn't take crap from anyone. He accepted money from
the next person in line and tore a ticket in two, handing
the man the stub.
The red-and-gold-patterned Oriental rug was starting to
look a bit dingy, but it was carefully vacuumed twice a
day, and that went a long way toward maintaining its
beauty. The doors that led into the theater itself were
padded with real leather and swung both ways on hinges that
didn't squeak at all. On one of the other doors to one side
of the lobby was a small, well-polished brass sign with
"Mr. Shelley" printed on it.
Behind the concession stand, a teenaged girl, looking
rather bored and snapping her chewing gum, was serving a
young couple some sodas and a large popcorn. With snacks in
hand, they went to join a few others who were already
waiting in line behind a row of thick velvet ropes for the
next showing.
A few minutes later, the previous showing ended, and the
lights inside the theater came on. A young man wearing an
usher's uniform and a name tag that read "Bob" swung one of
the doors outward and propped it open, standing back as
people filed slowly out into the lobby. He waited until the
last of them had gone before slipping inside, closing the
door behind him.
Bob worked quickly and methodically as he cleaned the
theater in preparation for the next show, filling his
plastic trash bag with discarded paper cups and empty
popcorn boxes as the end credits continued to play on the
large screen. In the third row from the back, balanced on
one of the red velvet seats, he found an opened but still
full box of Jujubes, which he glanced into before sliding
it into his own pocket. There was a jacket on the chair,
too, which wasn't all that odd. People left things in the
theater all the time. Unconcerned, he tucked the jacket
under his arm and turned to pick up the trash bag
again.
While he was still bending down, something strange
happened. For a minute he thought it might have been a big
truck going by on the street outside, what with the way the
floor trembled, but then it happened again. And again. The
third time, it was more of a shudder than a tremor, and Bob
grabbed onto the back of the seat closest to him, looking
around in a panic.
There was a flash of brilliant white light, like a
camera's flash or a distant sun going nova. People out in
the lobby might have said they'd heard something suspicious
- a cut-off scream, maybe - if they'd been questioned, but
none of them ever was.
And none of them ever noticed that Bob didn't come back
out into the lobby. When they were allowed into the theater
a few minutes later, it was empty.
- Episode 6.8: Still the Same Old Story
- Written by: Wolfling and WesleysGirl
- Edited by: ponders_life and wrenlet
- Researched by: ponders_life, Aydan, rossywar, overworked, and mackiemesser
- Produced by: The Brat Queen and Flaming Muse
Wesley parked his SUV and got out, heading up the
sidewalk toward the theater-cum-AI offices. An idle glance
up at the sign above the place showed that tonight it read
'Angels a hopeless git'. Wesley's mouth twisted into a
faint smile. They really needed to give the job of
maintaining the sign to someone other than Spike.
Passing the alley between the Walden and the building
next to it, Wesley slowed to a stop. "I thought we'd
discussed your following me," he said to the shadows
therein.
"We did." One of the shadows seemed to detach itself
from the others and move closer, revealing itself to be the
elegantly coiffed and dressed Johanna as she moved into the
range of the streetlight. "We also discussed you doing your
job. Not to bring this to a playground level, but I'll stop
if you start."
Wesley stared at her coldly for a moment then walked
toward the theater. "Go away, Johanna," he said, his tone
of voice promising all sorts of unpleasantness if she
didn't heed him.
"Of course, I didn't actually follow you this time,"
Johanna continued as though he hadn't spoken. "I didn't
have to. Where else would you be going but here? Anyone
could figure that out." She paused. "Or any thing."
"What is that supposed to mean?" Wesley stopped but did
not look back at her.
Johanna stepped closer and off to the side, just
skirting the edges of Wesley's peripheral vision. "Only
that if any... entity had reason to need the CEO's
attention, it would know that coming here would be the way
to get it."
Wesley did turn to face her then, his gaze glacial. "I
know that can't be a threat. You're not that foolish."
"No threat," Johanna replied, unfazed. "Just stating a
simple fact. Every action, every decision, has
consequences. Being here has consequences. Not doing your
job has consequences. You may find those consequences not
to your liking. Something to think about."
"Yes, consequences," Wesley replied. "Like the ones you
will be facing if I catch you around here again. Stay away
from Angel. Stay away from this place."
Johanna smiled. "So predictable. You can't run from your
responsibilities, Wesley. They'll dog your every step no
matter what you do." Her smile grew just a bit wider. "And
so will I."
Before Wesley could respond, Johanna had faded back into
the shadows again, the click of her heels growing fainter
as she walked away.
Angel came down the stairs from his office and stopped
when he saw Gunn standing in the lobby and wearing a dress
shirt and suit jacket. "Okay," he said slowly. "Tell me
you're not going back to Wolfram & Hart. Because I
didn't think we were dressing like that anymore."
"So I should just stop wearing all this fine stuff I've
got in my closet because we're back to working with the
people?" Gunn asked.
"What does that mean?" Angel asked, frowning and
going behind the counter to look for one of the boxes of
pens he was pretty sure he'd seen the day before. "'The
people'? I mean, isn't everyone 'the people'?"
"Except for us," Spike put in, in that helpful tone that
made Angel want to hit him. "We're vampires."
Angel gave Spike a look.
"He's got a date," Spike supplied.
"A date?" Angel's foot hit something on the floor, and
he glanced down to discover that it was Connor's backpack.
He shoved it to one side irritably and crouched down, still
looking for pens.
"With Electrogirl," Spike said.
"Oh, right," Angel said. "Gwen." Finding the pens, he
stood up and looked at Gunn again, more carefully this
time. "You look good. Where you going?"
"Out," Gunn replied shortly. "With a hot lady. And not
with any vampires, souled or otherwise, making an
appearance. If there's an apocalypse tonight, you're just
going to have to deal with it alone, because I'm gonna be
busy."
The door opened, and Wesley came in, frowning
distractedly. He stopped and blinked at Gunn. "You're
looking rather dapper."
"He's got a date," Spike said.
"A date?" Wesley said.
"Is there an echo in here?" Angel asked. "Yes, Gunn has
a date with Gwen."
"That's nice," Wesley said, going over to move some
papers that were in a precariously balanced pile on the
countertop. As he did, Angel noticed that there was a hand
axe sitting there too, half buried under more papers.
"Are we not putting things away anymore?" he asked.
"Thought that was the boy's job," Spike replied.
"What are you? Five?" Angel snapped, picking up the axe
and shoving it against Spike's chest. "Clean it. Put it
away."
Spike took the weapon automatically but frowned. "Why do
I have to do it?"
"Because I told you to," Angel said.
"Yeah, well, you seem to have mistaken me for someone
who actually takes orders from you," Spike said, setting
the axe back down onto the counter with a loud clank.
Connor came through the door to the basement, awkwardly
balancing a box with a couple of old movie reels in it
against his hip. "Hey," he said.
Angel moved to grab the door for Connor. "Here, let me
just - "
"Thanks," Connor said. He set the box of reels down and
looked at Gunn. "You look nice. Date with Gwen?"
"Yup." Gunn looked pleased that someone actually seemed
to know what was going on. "What about you?"
"No, I don't have a... oh." Connor grinned and shook his
head. "Homework."
Gunn eyed the cobwebbed box doubtfully. "Looks like some
dusty-ass homework."
"Yeah." Connor rubbed at a smudge of dirt on his cheek.
"I'm taking this film studies elective. Figured why not
take advantage of the fact that I'm working right here in
an actual movie theater, you know?"
"Less movie house, more falling-down wreck," Spike
muttered. He eyed the box of reels thoughtfully. "Although,
lots of people collect all kinds of weird shit. Bet we
could make a pretty penny if we put those up on eBay."
Connor ignored him. "There's all kinds of interesting
stuff about this place. Did you know it used to be a
vaudeville house? Then they did movies, then those people
disappeared, and - "
"Disappeared?" Wesley asked.
Connor shrugged. "Disappeared, gone, vanished. Some
people thought the manager killed them, but nobody could
prove anything. Since, you know - "
"No bodies," Wesley finished.
"So what's with the reels?" Gunn asked.
"Found 'em downstairs," Connor said. "Illyria helped me
set up the projectors, and we're going to see if they'll
still play."
Angel frowned. "How the hell does she know how to do
that?" he asked just as Illyria came down the stairs from
the projection room.
"The shell - " She started to say, then looked at Wesley
and corrected herself carefully, "Fred acquired the
knowledge working in an 'art house.' She tilted her head to
the side. "Though it would seem the ingestion of plant
matter to induce an altered mental state is not necessary
to make the shadows come to life."
The awkward silence that followed was broken when the
door opened again and Gwen came in, wearing a stylish black
suede jacket over a red corset. Her calf-length red skirt
was tight and split up to mid thigh, showing off
tantalizing glimpses both of her leg and black boots.
She crossed over to where they all were standing and
smiled at Gunn. "If I haven't said it before, I should have
- you clean up good."
"Had to make sure you didn't outshine me too much," Gunn
replied with a grin.
"So what's going on?" Gwen asked, looking at the box of
reels with interest.
"We found some old Humphrey Bogart movies in the
basement," Connor explained. "We're going to watch them."
He looked around. "Well, I'm going to watch
them."
"We'll all watch them," Angel said. "It'll be fun."
Spike looked at him like he'd grown another head.
"Fun? Since when is that word part of your
vocabulary?"
"Hey, I'm a fun guy!" Angel protested.
"Of course you are," Wesley said, but Angel found it
difficult to tell whether he was joking.
"I love Bogart movies," Gwen said. "Any of those old
films really, but Bogart had something special." She turned
to Gunn, her expression hopeful. "I don't suppose we could
stay and watch...?"
"But I had plans and...," Gunn protested, but trailed
off as Gwen continued to smile at him. "I guess watching
movies is as good a date activity as anything."
"You, my friend, are severely lacking in the imagination
department," Spike told him.
They all migrated into the actual theater, all save
Illyria, who headed up to the projection room with the box
Connor had brought up from the basement.
They settled in the center rows, which had been recently
cleared of the fallen chandelier.
"I could get used to this," Spike said, propping his
feet up on the back of the seat next to Angel's.
When Angel turned his head he almost smacked his cheek
into Spike's boot, and he elbowed Spike's feet back off
onto the floor. "Knock it off."
"You're the one who wants us all in here," Spike
protested. "Not that I mind staying as long as I can help
make your unlife miserable."
"Shut up," Angel said.
"No," Spike said, raising his voice so that
everyone could hear, "we're not making out. I don't
care how much you're gagging for it since Nina dumped
you."
Angel could feel Wesley's eyes on him, so he said, "You
being a pain in my ass is just genetic, isn't it."
"It's just that you provide so many opportunities for
practice," Spike said.
"Get this all out of your system now," Gwen told Spike
pleasantly, leaning forward from the row behind him,
"because if you keep talking during the movie, I'll have to
take... measures to shut you up." She held up her hand,
letting sparks flicker between her fingers to emphasize her
point.
"That's my girl. You don't mess with her." Gunn grinned
as Gwen settled back beside him.
"Oh!" Connor said suddenly, jumping up out of his seat
and heading back up toward the lobby. "I forgot the
popcorn. Anybody want some?"
"You brought popcorn?" Angel asked.
"Yeah, because with the ten ton cans of it lying about,
what junior really needed to do is bring some in," Spike
said, rolling his eyes.
"You can't watch movies without popcorn," Connor
said.
"Or, apparently without ingesting hallucinatory plant
material," Wesley said dryly. "However, I think we shall
endeavor to attempt the impossible."
"That's a no then?" Connor asked.
"It is," Wesley confirmed.
Connor shrugged. "Suit yourself." He turned to exit the
room, pausing and adding, "I'll get the lights." He
switched them off, plunging the room into near
darkness.
In the lobby, Connor checked to make sure all his snacks
were ready, then started up the stairs to the
projectionist's booth, where Illyria was waiting for him or
maybe analyzing dust motes or something. "Okay, I think
we're ready to go."
Illyria glanced at him briefly then went back to what
looked like a close examination of the peeling paint on the
wall.
Connor looked at the projector - everything seemed
right, so now all there was left to do was start it up and
see what happened. He pushed the lever forward, and the
projector sprang to light, the scene on the screen in the
theater below a black and white one with people and...
huh.
Down in the theater, Spike frowned at the screen. "Hey!
This isn't the start of the movie!"
"They must have the wrong reel," Gwen said, turning to
look back at the projectionist's booth window.
There was a shudder, like an aftershock following an
earthquake - subtle, but no way it could be missed.
"Okay," Gunn said cautiously. "Is it just me, or was
that...?"
"It wasn't just you," Angel said, right before there was
a blinding flash of light and the world jolted and
dematerialized around them.
When Angel could see again, they were all standing in a
plainly furnished room. He looked over at the others, who
looked as stunned as he felt.
That was when he realized that his hands were a funny
color. They were kind of pale gray, which okay, wasn't all
that different from normal, but...
He glanced at the others again.
They were all in black and white. "Okay, that's
not good."
Angel looked slowly around the room. Not only was
everything in black and white - he kept blinking his eyes
like that might make things switch back to normal - but
they were somewhere else entirely.
Their clothes were old-fashioned - dark trousers and
white shirts for the men. Gunn even had a suit jacket,
although it was clear from the line of it that it wasn't
modern either. Gwen was wearing a dress like women used to
back in the forties or some time around then; it was almost
more like a suit than a dress, the skirt falling just below
her knees.
"Yeah," Angel said. "Definitely not good."
"Hey, at least we're not breaking into song," Spike
said, glancing around a bit nervously.
"Thank god for small favors," Gunn said dryly. "Anybody
have any idea what's happened?"
"We're in the movie." Everybody turned to look at Gwen.
"Don't you all recognize it?" she asked. "We were just
looking at it on the screen."
"She's right," Wesley said, reaching down and picking a
hat up off the desk. "It's The Maltese Falcon. We're
in Sam Spade's apartment."
"How the bloody hell did this happen?" Spike went over
to push one of the sheer curtains aside so that he could
touch one of the windows, as if trying to prove to himself
that they were real.
"Good question," Angel said and then blinked as he
realized to whom he had said it.
"An even better question," Wesley said, turning the hat
over in his hands, "is how do we get back?"
Spike opened the window, looked out, then closed it
again. "Not through there," he said as he strolled back
over to the rest of them. "Think there's a magic portal or
something somewhere in this place?"
"If there is a way to get in, there should conceivably
be a way back out again." Wesley looked around the room.
"Unfortunately, it doesn't seem to be labeled."
"Not too often that there's a big red button with a
'push me' sign next to it," Angel agreed.
Gunn snorted. "Yeah, and even if there was, chances are
it'd be the self-destruct."
"Everybody, I don't know, look around for... something,"
Angel said.
"You mean a statue of a black bird about so high?" Gwen
asked, gesturing with her hands. "Won't find it here,
Slick. Not yet."
"I don't mean the bird," Angel said, following his own
instructions and looking around, taking in the old-style
furniture. Then he stopped and looked at Gwen. "You think
we need the bird?"
Gwen shrugged. "That's what everybody
was after in the movie."
"Yeah," Angel said, "But we're not in the - okay,
everybody pretend I never even started that sentence."
"It's about as logical as any of this is," Wesley
admitted.
"I prefer to pretend Angel never speaks most of the time
anyway," Spike said.
Wesley gave him a look. "Spike, if you're not going to
be helpful - "
"Wait a minute," Angel said, standing in the midst of
all of them. "Where the hell is Connor?"
Gunn frowned. "*Now* you start caring about our
temps?"
Angel's gaze flickered over to Wesley. "Yes. I'm a
really caring boss, and right now I *really care* about
where Connor is."
"Illyria isn't here either," Wesley pointed out. "It's
possible that only those inside of the theater were
affected."
"It's possible our entire city block was affected," Gunn
replied. "Not like this freaky magic trick came with a
manual. I say we get our asses out of here and Monday
morning quarterback the details later."
"So we... what? Sit around here and wait for Sam's
secretary to deliver the falcon?" Angel asked.
"She isn't going to deliver it unless she's told to."
Gwen stepped over to the phone and picked up the receiver.
"Somehow I don't think I'd make a very convincing
Bogey."
Angel grinned a little bit. "Yeah, well." But before he
could take the phone from her hand, Spike stepped forward
and grabbed it. "Hey!"
"You want to do it that bad, fine," Spike said, looking
at the numbers thoughtfully. "Only I'd think it'd be
perfectly clear to anyone that you aren't Bogey; you're the
fat man."
"I've told you a hundred times that shirt only shrank a
little in the wash," Angel shot back.
Spike ignored him, staring down at the phone. "Doesn't
work out so well when you don't know the girl's
number."
Wesley rolled his eyes and held his hand out for the
receiver. "Let me try."
"Yeah, okay," Spike said, handing the phone over to
Wesley without complaint, which just verified that it was
Angel he wanted to drive crazy.
Confidently, Wesley dialed a number and held the
receiver to his ear, waiting for it to be picked up.
"Hello?" he said finally when it was.
"Precious," Gwen hissed at him.
"Hello, precious," Wesley obediently said. "I'm sorry to
disturb you at this hour but I have a rather important
favor to ask."
"In the Holland box at the post office is an envelope
with my scrawl," Gwen whispered to him, gesturing for him
to repeat what she said.
Wesley did so, and with Gwen's coaching he continued,
the words flowing more easily as he got into character. "In
that envelope is a parcel room check for the parcel we got
yesterday. Yes. Now get that bundle and bring it here PDQ.
That's a good girl. Now hustle. Bye."
Gunn raised his hand. "Anybody else here feel like they
just got a sneak peek of every one of Wes' dates with
Lilah?"
"So that's it?" Angel asked. "Now we just... wait?"
"We can continue looking for some other clue towards a
way out, but," Wesley said, "essentially, yes, we
wait."
"How did you know the number?" Gunn asked curiously.
Wesley shrugged. "I didn't. I guessed. And for the
record Lilah was never that obedient."
"Well," Spike said, going over to the couch and sitting
down. "Might as well get comfortable if we're going to be
here a while."
Angel caught Wesley's sleeve and tilted his head to the
side, lowering his voice. "You guessed?" he repeated.
"I was hoping that, given our circumstances, the act of
dialing would be enough," Wesley replied.
"Any ideas how this could have happened?" Angel
asked.
"Magic?"
Angel frowned. "Well, yeah, but I meant more
specifically."
"That really depends on exactly what happened," Wesley
said. "Whether this is a pocket dimension or a constructed
reality or a mass hallucination - "
"You don't seriously think we're hallucinating, do
you?"
Wesley tilted his head in a maybe motion. "Frankly, I
like that option better than the 'we've suddenly been
sucked into a constructed reality' option. The problem with
constructed realities is that they can be deconstructed
just as easily."
"What do we do if that happens?" Angel asked.
Wesley looked grim. "Let's just hope it doesn't
happen."
"That's not an answer," Angel pointed out.
"I thought it a better answer than 'we all cease to
exist.'"
"Just because I might not like it doesn't mean I don't
want to hear it," Angel said, meeting Wesley's eyes.
Wesley held his gaze for a moment, then turned away. "No
use dwelling on things we have no control over."
Angel gave him a hard look. "But what about the things
we do?"
"You have something in mind?" Wesley asked.
"Sure," Angel said. "Your contract - "
"My contract is not the issue right now," Wesley said
sharply. He took a deep breath before continuing in a
calmer tone. "We do what we have to do. We make our
decisions, and then we have to live with them." He smiled
humorlessly. "Or not, as the case might be."
"Yeah, well... you're not alone there." Angel sighed.
"Okay, so let's do what we need to do to get out of
here."
As if on cue, there was a knock on the door.
Despite there being two people in the room with
supernatural speed, it was Wesley who got to the door first
to open it. "Thank you," he told the woman who was standing
there, taking a rather large package wrapped in newspaper
from her. "Sorry to spoil your day of rest."
"Not the first one you've spoiled," she replied without
heat. "Anything else?"
"No," Wesley said. "Thank you."
She grinned at him. "Bye-bye, then," she said then
turned and walked off.
Wesley closed the door. "Clear off the desk," he said,
gesturing at it with his chin. Gunn was already there,
setting the lamp down on the floor and sweeping everything
else off.
"Let's get it open," Angel said as soon as Wesley set
down the package. He tore away the paper quickly, Wesley's
hands working at the other end, the others watching as they
struggled to get the falcon out of the layers of material
that surrounded it.
The paper layers seemed to be endless, but eventually
they cleared enough of it off to reveal the black statue
beneath.
"The stuff that dreams are made of," Wesley said
ironically.
"Hopefully ours," Angel said, pushing the last bits of
cotton wool out of the way as Wesley reached out and
touched the statue. "Do you think - "
But there was no time to finish his question as the room
tilted and spun away with a lurch.
As soon as Wesley's hand touched the falcon statue,
reality - such as it was - spun away like a pinwheel in a
hurricane.
When it spun back in, Wesley got a face full of water.
He blinked and sputtered, but by the time he'd realized it
was because someone had thrown her drink in his face the
woman in question had already stormed out of the room.
He realized other things at the same time, such as the
fact that he was trussed up rather like a Christmas goose.
His hands were cuffed behind his back, his ankles were
bound with rope and tied to another rope that went around
his torso, keeping him from moving his arms or from
straightening his legs. He was sitting on the floor,
leaning back against the front of a sofa.
But most disturbing of all was that Angel and the others
weren't there.
He wasn't alone, although considering the company he
almost wished he were.
Pushing aside his worry for his friends as best he
could, Wesley turned a cold gaze on the other person in the
room. "I thought I told you to stay away."
Johanna, dressed in a stylish forties women's suit,
smiled at him from her position sitting demurely on the
coffee table in front of him. "And I told you, you can't
run away from your responsibilities, even -" She gestured
at their surroundings. "- into fantasy."
"I can assure that you any fantasy of mine would not
include your presence." Wesley paused. "Well, living, at
least."
"If it weren't for your obsession with Angel," Johanna
continued, ignoring the threat, "we'd be overseeing the
finishing touches on your office right now. Instead
we're... here."
"As no one invited you, you have no one to blame for
being here but yourself," Wesley said.
Johanna eyed him up and down pointedly. "Unlike some
people, I take my responsibilities seriously. I don't go
running off to play when I should be doing my job."
"Yes, you're very good at being at the Senior Partners'
beck and call. Do you heel and roll over as well when they
tell you to?" Wesley shifted and leaned back against the
couch behind him in a futile effort to find a more
comfortable position.
"You're not helping him, you know," Johanna said, not
acknowledging Wesley's insults. "Having you there is
nothing but a distraction. Takes his mind out of the game.
You're something he can hold onto beyond what he should be
paying attention to, one more thing for him to worry about
losing."
Wesley ignored the part of him that whispered that there
was truth in what Johanna was saying. "I fail to see how my
running an evil law firm dedicated to bringing Angel down
would prove to be any less distracting."
"It's what you agreed to do." Johanna's voice got as
sharp and loud as it ever did. "You made the deal. The
Senior Partners do not take kindly to people who do not
keep their promises."
"The Senior Partners knew who it was that they were
making a deal with," Wesley snapped. "I never made a secret
of my thoughts or feelings. It doesn't matter how many
deals they ask me to make, be they sealed in ink, or blood,
or Gremanthian demon essence, my allegiance is always going
to be with Angel. If the Senior Partners expected that was
going to change, then they are fools."
Johanna regarded him silently for a moment, then got up
and walked away. "The Senior Partners don't care about your
thoughts or feelings," she said as she stepped through a
door across the room and to the left of the couch. She
raised her voice so Wesley could still hear her. "Any
allegiance you want to maintain in your unbeating heart is
completely irrelevant as long as you do your job, which is
to make Angel suffer. That's what you agreed to; that's
what the Senior Partners expect. And if you aren't living
up to expectations - " Johanna came back into the room. " -
they can and will find others to do the job."
She walked back over to where Wesley was tied up. In her
hand was a long, sharp knife.
The world flipped over a couple of times, everything
going a little bit too fast, and when it stopped they were
all left standing there blinking.
All of them except for Wesley.
"Where's Wes?" Angel asked, looking around, ignoring the
fact that they were in different clothes than they had been
- again.
"Wesley?" Gunn called, sounding a little bit ragged,
like maybe the ride hadn't agreed with him.
There was no answer.
"Okay, I don't like this," Angel said. They were still
in black and white, and it was daylight. At least the
sunshine in black and white movies apparently didn't make
vampires burst into flame.
"That's what you said last time," Spike told him.
"Yeah, well, I like it even less when people
start disappearing." Angel walked around, but it wasn't
like Wesley was going to be hiding behind some scrubby
bushes or a big rock or anything.
"The clothes are good," Gwen announced, looking down at
herself. She was dressed in men's trousers, boots, and a
pale button-down shirt - also a man's. Her hair was pulled
back from her face. "Authentic. Although the monochrome
thing's going to get old really fast."
"Yeah, but shouldn't you be wearing some kind of frock
with eight petticoats?" Spike asked, regarding his own
trousers - complete with suspenders - and shirt with some
irritation. "I'd better get my own things back when this is
over with."
"Well, let's do whatever it takes to get this
over with," Angel said. "Because whoever's little plan this
is, they're need of some serious ass-kicking, and I want to
be the one to deliver it."
"What makes you think this is someone's plan?" Gwen
asked.
"Paranoia," Spike muttered under his breath.
Gwen gave him a look. "Seriously. Things like this
happen to freaks all the time. It comes with the
territory."
Angel shook his head. "Things like this don't 'just
happen.' Trust me; there's someone behind this."
"Whatever." Gwen turned away, hands on her hips as she
surveyed the landscape, such as it was. "I can't imagine
why we ended up in a movie that's all about what paranoia
and greed can do to people."
"Of course. Treasure of the Sierra Madre," Angel
said, just as a sound he hadn't heard in years caught his
attention. "Oh, great. Bandits."
Spike and Gunn both looked at him blankly, but at least
Gwen knew what was going on as they watched a big gang of
bandits, complete with horses, hats, and weapons, come
thundering up the ridge toward them. "Okay, so we need to
play along."
"I'm armed," Spike offered, pulling a pistol out from
nowhere and waving it around carelessly.
"Hey, take it easy!" Gunn flinched away from Spike.
"Don't worry, mate," Spike said. "Know how to use
it."
"Spike, shut up," Angel said. It came as natural as
breathing once had. "What do we do now? Start a
gunfight?"
"This isn't the O.K. Corral," Gwen told him, taking out
a pistol of her own and looking at it. "We have to try to
talk them out of it first."
"And then what?" Gunn asked.
"Then there's the gun fight." Gwen thought for a few
seconds. "And someone has to get shot."
Angel turned and looked at Spike automatically.
"Oh, no," Spike said, backing up a step and holding one
hand up in Angel's direction.
"Well it's got to be one of the two of you," Gunn
pointed out. "For all we know, the effects of this are
real. If someone's going to take a bullet, it should be
someone who won't actually die."
"Just do it," Angel said to Spike.
"You're a vampire, too," Spike said. "Why's it got to be
me?"
"Because I want to get this over with," Angel said.
"In that case, you do it." Spike stepped to the side and
gestured. "Go on. It's all yours."
The bandits were still making their way to the top of
the trail on the ridge just below, some of them leading
their horses and others riding. After a minute of milling
around and talking amongst themselves, three of them came
closer, the one in the lead smiling and nodding his
head.
"We are federales," he said. "You know... the mounted
police."
Angel tried to remember how this was supposed to go.
"Yeah? Where are your badges?"
"Badges? We ain't got no badges. We don't need no
badges! I don't have to show you any stinkin' badges!" The
bandit was trembling with anger, eyes wide.
"Calm down there, Sancho," Spike said. "Although
actually if you keep that up, you might burst a vessel. So
on second thought, go ahead."
Gwen gave him a sharp look, then turned back to the
bandit. "Better not come any closer," she said.
"We ain't try to do you any harm," the bandit wheedled.
"Why don't you try to be a little more polite? Give us your
gun, and we leave you in peace."
"I need my gun, myself," Gwen told him.
"They have plenty of weapons," Gunn said, looking
confused. "What do they want with a few more?"
"That's not the point," Gwen said. "Oh, now we're
supposed to shoot his hat. You want to do the honors?" She
looked at Angel questioningly.
"What if we miss and blow his head clean off?" Spike
asked.
"No way to know until it happens." Gwen shrugged.
"Right. Here goes nothing." Spike lifted his pistol and
aimed it at the bandit and, to Angel's surprise, actually
managed to... miss the guy completely, head, hat, and
all.
"Great," Angel said. "Now what?"
"Keep going," Gwen said. "Maybe that's a detail that's
small enough that it doesn't matter?"
It seemed like that might be the case, since the bandit
was saying, "All right, all right," and backing off.
The bandits conferred briefly, then the leader came
back, again shadowed by one of his friends.
"Look here, amigo," he said, looking at Gwen,
obviously having singled her out as the woman - man - in
charge. "You got the wrong idea. We don't want to get your
gun for nothing - we want to buy it. Look! I have a gold
watch with a gold chain..." His henchman stepped closer and
held up the pocket watch, which even Angel could tell was a
piece of junk.
"Oh, right! How stupid do you think we are?" Spike
asked, talking over the bandit, who kept speaking like
nothing was happening.
"Would you just shut up and go along with this like the
rest of us?" Angel hissed at him.
"No, I'm keeping my gun," Gwen told the bandits.
The leader flew into a temper and started shouting, and
Gunn, cool as anything, lifted up his pistol, took aim, and
shot the pocket watch dead on.
"See?" Gwen said, smirking at the bandits. "My Gunn is
definitely a keeper."
The bandit who'd been holding the watch gave an
exclamation of amazement, and the two men quickly retreated
back down to join the other bandits.
"Looks like we've got ourselves a fight," Gunn said,
ducking down behind a boulder as the first shot rang out.
"Get down, would you?" he said to Gwen, grabbing her wrist
and yanking her down beside him.
"Yeah, everybody stay down," Angel said. "Except
Spike."
"Fine," Spike said, giving in with more grace than Angel
would have expected. "But in the next film, I get to kiss
the girl."
In the magical world of westerns, Angel discovered, you
never ran out of bullets. If he hadn't been worried about
where the heck Wesley had ended up and if Connor was okay
and how they'd gotten into this mess in the first place, it
might have been almost fun. As long as he stayed behind the
outcropping of rocks in front of him, none of the bandits'
bullets came close to hitting him, and he managed to hit at
least a couple of them while they ran back and forth like
idiots.
"This is like shooting those little ducks that go back
and forth at the carnival!" Spike called out. "No wonder
the heroes always win in the movies."
They managed to kill a few more of the bandits, then the
rest disappeared into the bushes. The horses must have run
off, since there was no sign of them. "Hang on," Gwen said,
and they stopped shooting long enough to realize that the
bandits weren't shooting back anymore.
"Spike?" Gunn called.
There was no answer.
"That's... good and bad," Gwen said. "If he got shot,
why are we still here?"
Angel kept low and went over to join Gunn and Gwen
behind their boulder. "What happens next?" He tried to
remember. "Someone has to go over and find him, right?"
"Yeah." Gwen looked at him.
Grudgingly, Angel nodded. "Okay. I'll be right
back."
Carefully, he made his way across to where he'd last
seen Spike. As soon as he wasn't behind the boulder
anymore, the bandits started shooting again, and he could
hear Gwen and Gunn starting back up, too, trying to
distract the fire away from Angel, for which he was duly
grateful. Just because being shot might only be temporary
didn't mean he liked the idea.
Spike was crumpled on the ground behind a rock that
didn't look tall enough to protect anyone, and Angel rolled
him over, seeing immediately that half his throat was torn
open by the bullet that had hit him. Spike groaned, his
eyes opening slowly, and Angel, caught in the scent of the
blood, couldn't help but reach out and touch it, slicking
his fingertips with the coppery dark fluid that smelled the
same even if it wasn't red.
Before either of them could say anything - if Spike
would have even been able to say anything - the
world flipped sideways with a lurch.
This time when the ride on the vertigo express ended,
Gunn found himself in the middle of another room of the
black and white, 1940s persuasion.
The only other person there was Gwen, and she stood in
front of him fairly transformed. Instead of the grubby
western gear of their previous incarnation, she was wearing
something long and flowing that showed off her curves just
right. Hair and makeup immaculate, she looked every inch a
forties starlet.
She was also holding a wad of cash out to him. Gunn
himself was holding a bottle of rum. He had no idea what
movie they had popped into now, or what the scene they
would have to act out to escape it entailed.
"So... am I supposed to be selling you this bottle?" he
asked.
Gwen blinked slowly, looked at the bottle Gunn was
holding, then looked around the room, studying the
décor. "I think," she finally said, "I'm
offering you my last thirty dollars in an effort to talk
you out of taking on a dangerous mission."
It wasn't an obvious answer. "You know where we are
then?"
"Your hotel room on the island of Martinique." Gwen slid
the money into her cleavage. She saw him looking and gave
him a knowing smile. "We're in To Have and Have
Not."
"You sure?" It wasn't a movie that Gunn was familiar
with.
"Pretty sure, yeah." She moved away from him, wandering
around the room and touching various things.
"So you know the scene, then?"
"Oh yeah. It's pretty famous actually."
"Nobody has to get shot do they?" Gunn asked
suspiciously. "Because we're kinda short on people that can
take a bullet without it ruining their day."
"No." Gwen smiled in that way she had that made Gunn
wonder if he should be worried or if he should be thanking
his lucky stars. That smile fit her clothes and the setting
perfectly. "There's no shooting in this scene."
"Good." He paused, looking down at what he was holding.
"Do we need this bottle for anything?"
Gwen shook her head. "Not that I know of. Why?"
"Because if we're going to keep going through this
weird-assed shit I could use a drink. How 'bout you?"
"Hell, yes."
Gunn opened the bottle and then went looking for a
couple of glasses, but came up empty. Shrugging, he took a
swig directly from the bottle, relishing how it burned on
the way down. It may have only been movie rum, but it had a
real nice kick to it.
He offered the bottle to Gwen, who took it and settled
on the edge of the desk in the middle of the room, pushing
aside some tools laid out there. She took her own swig from
the bottle, and Gunn found himself watching the long line
of her throat as she swallowed.
"You know," she began, holding the bottle back out to
him, "when you asked me out, this wasn't exactly what I
pictured us doing."
"Don't look at me." Gunn took the proffered bottle and
sat in the chair by the desk. "I had a whole dinner and
dancing thing planned. You're the one who wanted to stay
and watch the old movies instead."
Gwen sighed. "You're right," she said. "My bad. I forgot
exactly what kind of weirdness magnet Angel is."
"You think this is Angel's fault?" Gunn asked with a
frown. He took another drink and handed the bottle
back.
"Not the way you're thinking. But he's as much a freak
as I am, and I'm not talking about being a vampire or
having a soul. He attracts weird shit the way I attract
lightning." She nudged his leg with her foot. "Come on, you
have to admit that stuff just seems to happen around him.
How much weirdness would you have gone through if you
weren't hanging with Angel all the time?"
"There was weirdness before I met Angel," Gunn said
defensively.
"But not *as* weird, I bet," Gwen said. "Gunn, look at
what's happened to you just that I know about - you've seen
the sun go out and fought a guy made out of rock, your ex
got taken over by the queen of ancient blue punk demons,
you got a brain dump full of lawyery goodness on the advice
of a talking panther and - "
"I got killed and brought back to life by
Electrogirl?"
Gwen smiled. "That, too. Fortuitous but heart-stopping
first meetings aside, don't you get tired of it all? Day in
and day out with ancient evils and suns going out and
threats of the end of the world every other Wednesday?
Don't you ever wish for something else?"
"Not really, no." Gunn took another drink as he
considered his words. "Someone has to deal with all the
weirdness so that the normal people can keep on being
normal."
"And that someone has to be you?" Gwen asked softly.
Gunn shrugged. "The mission's part of who I am. I get in
trouble when I forget that."
"A bona fide hero right down to the bone, huh?" She was
smiling at him again in that way that simmered with heat
and held just a touch of little-girl wistfulness that had
attracted Gunn to her in the first place.
"Don't know about hero," he said with another shrug.
"Just a guy who does what needs to be done."
"Helping the helpless?" Gwen slid off the desk and onto
Gunn's lap, her weight warm and pleasant against him. "I
suppose there are worse vices for a guy to have."
"You think helping people is a vice?" Gunn asked as Gwen
took the bottle back from him and took another drink.
"Helping people is a good thing, very noble." Her tone
was deadpan, though her eyes glinted with amusement.
"You're just humoring me now."
"I'm serious!" Gwen insisted. "I like that you give a
damn. Not many people do anymore. It's just..."
"Just what?" Gunn asked when she trailed off.
"You ever thought of doing it another way?"
Gunn frowned. "What do you mean?"
"You can't tell me that all of Angel's baggage doesn't
get in the way. You've got the brawn and the brains to be
successful at helping people alone." Gwen slid a hand
inside his jacket in an absentminded caress. "If you go out
on your own - "
"Whoa. Wait a minute," Gunn broke in. "You want me to
leave Angel Investigations?"
Gwen shook her head. "I just wondered if you ever
considered alternatives to working - "
Gunn cut her off cold. "No. Angel and Wes and the
others... we're a team. You don't just abandon your
team."
"Okay."
"Okay?" Gunn frowned at her. "That's it?"
"What else is there?" She leaned forward, reaching to
set the bottle on the desk behind Gunn. "I asked; you
answered."
"And you're okay with that?" Gunn tried to ignore the
tiny voice inside that was whispering that he wasn't sure
he wanted her to be.
"Why wouldn't I be? There are plenty of worse things a
guy could be than loyal." She slid her arms around his
neck. "Although next time we go on a date, it's not going
to be a team event."
Gunn grinned and rested his hands on her waist. "Guess I
have to remind you again that it was your idea to -"
"Yeah, yeah, all my fault. You're not going to let me
forget that, are you?"
"Not for a while. I mean I had made plans and
everything." He tried for an air of mock pathos, which
didn't seem all that successful considering that Gwen's
reaction was to laugh.
A moment later, Gunn re-evaluated how successful he was,
because he had to be doing something right to get kissed
like that.
Gwen tasted just the same as he remembered, like the air
just after a thunderstorm overlaid with the taste of the
alcohol they'd been drinking. "I promise we'll follow your
plan the next time," she said with a smile when she pulled
back.
"So there is going to be a next time?" Gunn asked,
leaning in for another kiss.
Gwen let him almost succeed before pulling back, still
smiling. "Ask me again when we get out of here. Speaking of
which," she stood up and Gunn immediately missed her weight
on his lap, "you ready to blow this joint?"
"Yeah," he replied, firmly squelching the urge to
suggest delaying for at least a few more kisses. "What do
we do?"
"I'll take care of my part," Gwen assured him. "All you
have to do is what I tell you to."
Gwen headed over to the door, then half turned back
towards Gunn, shooting him a sultry look from under her
lashes. "You know you don't have to act with me, Steve. You
don't have to say anything, and you don't have to do
anything." Turning away again she took the last few steps
to the door. "Not a thing." She threw a coy look over her
shoulder. "Or maybe just whistle." Gwen opened the door and
took a step out before turning back one more time with a
smile that raised the temperature in the room by several
degrees. "You know how to whistle, don't you, Steve? You
just put your lips together and... blow." One last wink and
she was gone, closing the door behind her.
For a long moment Gunn just stared at the door before he
remembered his instructions: do what he'd been told to.
When he did, it didn't surprise him at all that he
naturally gave a wolf whistle.
His last thought as this reality spun away was that when
they were out of here he might just have to ask Gwen to
show him that movie; it might give them some interesting
ideas.
Wesley eyed Johanna's knife but was careful to keep his
expression as neutral as possible.
"Just what exactly do you mean?" he asked.
"I meant exactly what I said," Johanna replied. "The
Senior Partners are not known for their patience. They're
not going to sit around waiting for you to do your job.
They'll give that job to others." She paused dramatically.
"In fact, they already have."
"What?" Wesley stared up at her and then, deciding he
would be damned if he was going to continue this
conversation while lying at Johanna's feet, he strained
against his bonds and managed to pull himself up onto the
edge of the sofa. He couldn't straighten up because of the
rope that went from his ankles to around his chest, but
psychologically this was a much more comfortable
position.
His mind had been turning over what Johanna had said the
entire time he'd been struggling onto the sofa and, as
happened sometimes, everything just clicked into place.
"You're talking about the Haunters," he said with utter
certainty.
Johanna inclined her head in agreement. "Perhaps they're
a bit... blunter than the Senior Partners would prefer, but
they do know suffering and punishment." She stepped closer,
raising her knife, and Wesley tensed. "They will do until
something with more finesse comes along. Or -" She took
another step, and the knife came down towards him... to
slice through the ropes binding him. " - until you take
over like you're supposed to."
With the ropes gone, Wesley was able to straighten up
and pass his still-cuffed hands down over his legs and feet
so that they were in front of him instead of behind his
back. He wondered if he could find something to pick the
lock on the cuffs but didn't see anything that would work
in his immediate vicinity.
Getting up, he moved away from the sofa, ostensibly to
look for a makeshift lock pick, but he only made it a
couple of steps before coming to a slow halt.
Without turning around, he asked softly, the words
feeling heavy and dire as he spoke them, "What happens if I
do the job full time?"
"The Haunters will be called off. The Senior Partners
believe in letting the talent do their jobs. They won't get
in your way..." Johanna paused meaningfully. "...as long as
you're doing something to get in the way of."
Wesley moved a bit further away and stared unseeing out
into the night. The cuffs chafed and made his skin itch,
but he knew that finding a lock pick wouldn't make any
difference now. He was going to continue to feel their
weight long after they were removed.
The sound of a car pulling up came from outside and
headlights shone through the window, making Wesley
blink.
"That would be Canino and the rest of the goons,"
Johanna informed him in a pleasant voice. "They're the ones
who tied you up. I'm sure they're looking forward to
picking up where they left off."
"Lovely," Wesley muttered. This day just kept getting
worse.
"They're going to be coming in here in a few minutes, so
if you don't want to see if you can actually die deader
than you already are, I suggest that you make use of that
door there." Johanna nodded towards a door just to the left
and slightly behind where they were standing. "Go outside,
but don't do anything for a count of twenty."
Wesley could hear the sound of car doors opening and
closing outside. "I guess I have no choice, do I?" he
asked, the words coming out sharp and bitter as he headed
for the door so indicated.
"You have choices," Johanna told him; she was regarding
him coolly when Wesley glanced back over his shoulder at
her. "Just none without consequences."
"In the end, it's the same difference, isn't it?" Wesley
replied in a soft voice.
Another sound from outside pushed Wesley into moving,
going through the door and along the side porch as he had
been told. Almost against his will, he found himself
silently counting.
When he reached twenty, there was a scream from inside
the house; Wesley had a split second to see the men out
front running for the door, and then reality once again
spun away.
When everything settled again, Angel looked down at his
hands and saw that they were still in black and white.
"Damn it."
"Don't know why I'm surprised," Spike said, sounding
resigned. "I told you shooting me wasn't going to work,
didn't I? We're right back in the same bloody film."
"Only with less blood," Angel said. Spike was right, he
realized; even with his sketchy memory of the film, he
could see they'd just moved ahead in the timeline. "Um...
where'd Gunn and Gwen go?"
"Better hope for their sakes it's not into
Casablanca," Spike said, looking around. "Not much
of a happy ending there."
Angel noted the flickering campfire and the burros tied
up off to one side of the trail. It was nighttime, but even
still everything just looked so strange without
color, even the gun in his hand, which wasn't the same one
he'd been holding before.
"This isn't getting any more fun." Spike crouched down
in front of the fire.
"And every time we switch scenes we lose people," Angel
said with a worried sigh.
Spike snorted. "Doesn't bother me. Maybe next time I'll
lose you. Least then I won't have to listen to your
stupid blathering anymore."
"Give it a rest, would you?" Angel said, rubbing the
back of his neck and trying to remember what the hell was
supposed to happen in this scene.
"You're the one who needs to give it a rest," Spike
said.
Angel frowned. "What the hell is that supposed to
mean?"
"Means that you're focusing on the wrong thing, like
usual." Spike poked at the fire with a stick. "You get all
caught up in one part of the big picture, and then you
don't see any of the other stuff that's going on around
you."
Turning in a slow circle, Angel surveyed the landscape
before looking at Spike incredulously. "Spike... we're in
the middle of nowhere, in a movie. We're in black
and white. There isn't anything else going on
around us."
"Wasn't just talking about now," Spike said. "You get
your bleeding eyes focused on one goal - whoever that might
be - and then forget everything else."
Angel sighed, wishing that Spike would just shut up for
once and let him think. "Can we save the psychological
analysis for later - or preferably never - and concentrate
on getting out of here?"
Spike stood up. "Are you actually asking for my
help?"
"Well, you are the only one here," Angel said, then he
turned his head and looked at the burros, gesturing at
them. "Although maybe they'd be more help than you."
"Hey! I let myself get shot last time to get us
out, for all the good it did," Spike said. "Maybe that's
why we ended up in the same sodding film again."
"Maybe you didn't get shot enough," Angel said,
tightening his grip on the gun he was still holding.
"Maybe you didn't get shot enough," Spike
retorted, not backing up but still watching him warily.
"Just because it's your name on the bloody marquee doesn't
mean you're the one in charge, you know."
Angel cocked the hammer and pointed the gun at Spike.
"Maybe not," he said. "But I'm the one holding the gun."
There was a blur, and the gun went off as Spike tackled
him, knocking both of them to the ground as Spike tried to
pry the weapon out of Angel's hands. Angel shoved him and
rolled, but Spike clung like a leech, rolling with him,
still trying to get the pistol out of his grip. Letting go
with his left hand, Angel punched Spike in the face,
feeling the satisfying jolt of pain and crunch of cartilage
as he hit Spike's nose. Spike growled but hung on, getting
a knee free and suddenly, unexpectedly, slamming it into
Angel's balls.
All the fight went out of Angel in a rush as he groaned
and curled up. When he managed to glance up, Spike had the
gun pointed at him and blood running down over his upper
lip.
Spike licked at the blood and shrugged his shoulders,
resettling his shirt. "I'm done taking orders from you.
This time we do it my way."
He pulled the trigger twice, and the explosion of pain
in Angel's shoulder sent him reeling.
The world stopped spinning and righted itself again.
Angel couldn't help but probe his shoulder for a wound he
no longer felt and knew he'd find no evidence of, even as
he noted that, wherever he was, it was nighttime. The air
was thick with a wet, heavy fog.
He heard a sound behind him and started to turn, saying,
"Damn, I thought maybe this time I'd finally get rid of
you," to Spike. "And if you ever shoot me
again..."
But it wasn't Spike. "I don't think I've ever shot you,"
Wesley replied. "Unless you count the Belial demon
impersonating you, or those tranqs back when you were being
Angelus... You're still in full possession of your soul, I
trust?"
"As far as I know," Angel said. "Wow, am I glad to see
you."
"Likewise. I take it you've had a less than pleasant
sojourn?" Wesley asked. "Involving shooting?"
"Involving Spike," Angel said grimly, figuring that
pretty much said it all. "What about you?"
"Just conversation. Although there were handcuffs and
rope involved." Wesley gave the faintest ghost of a smile.
"I think I would have preferred to have been shot."
"Now really, Wesley, it wasn't that bad, was it?" came a
feminine voice from behind Wesley off in the fog a little
ways. As Angel looked, he saw Johanna step close enough to
be visible. "I did let you go after all."
Angel frowned, stepping unconsciously closer to Wesley.
"What the hell is she doing here?"
Wesley barely shot a glance in her direction. "Annoying
me."
"Other than that," Angel said, crossing his arms in
front of his chest and waiting for the woman to answer for
herself.
"I *am* Wesley's liaison with the Senior Partners," she
reminded him with a patronizing smile. "When there's
business to take care of..."
It took a lot of self-control not to grab her by the
throat and shake some real answers out of her, but Angel
managed to keep his temper down to a mild flexing of his
hands. "You have something to do with this?"
Johanna shook her head. "This isn't my doing. I'm only
here because Wesley is."
Deciding that if Wesley was going to ignore her he
would, too, Angel took Wesley by the sleeve and led him a
few steps away. The fog was so thick that it was hard to
see more than four or five yards in any direction. "You
been with her all this time?"
"Unfortunately. And you've been with Spike?" Wesley
frowned. "What about Gunn and Gwen?"
"I don't know. They were with me and Spike in, um, the
Sierra Madre, or something. And then it was just me and
Spike. And guns." Angel frowned. "And burros."
"As long as the burros didn't have guns..."
"They wouldn't be able to shoot them anyway," Angel
said, miming holding a pistol with a hoof by curling his
hand into a fist.
Wesley smiled a little at that, but it quickly faded as
he looked around them. "No burros here. Although, if this
is the movie I think it is, there are Nazis."
Angel looked around, too, noting the airplane hangar for
the first time. "What is this, Casablanca?"
"That would be my guess."
"So, what, we just wait around for the airplane to take
off? I mean, there's not a heck of a lot that happens
here," Angel said.
Wesley was looking off into the fog. "There was one
thing." He turned to meet Angel's gaze.
Remembering what this scene was about, Angel frowned. "I
don't think we should split up."
"We really don't have much choice, you realize,"
Wesley pointed out.
"What, so one of us has to get on a plane and leave?"
Angel shook his head. "No."
"No? Just like that?" Wesley asked, shaking his head in
turn. "Angel, you know things are never that simple.
Sometimes you have to do things that may not look like a
good idea at the time but end up being for the greater good
in the long run. You know that; you left Sunnydale for the
greater good. Or for the good of Buffy, at least."
Angel realized what Wesley was trying to say, and he
didn't like it. "That was different," he said. "I'm not
walking away from this. From you. I won't."
"Even if I ask you to?"
"You're going to ask me to just walk away? Lose
*another* member of the team? That's not..." Angel shook
his head. "No. Wesley, no." Wesley ignored the
denial. "Better for Ilsa to have stayed, then? Not give a
damn about helping to stop the forces of evil from taking
over the world?"
"That's not the point," Angel said.
Wesley made a show of looking around them. "Considering
where we're standing, I'd say it's very much the
point."
Angel shook his head again. "No. Do I need to keep
saying it?"
Wesley sighed and ran a hand over his face tiredly.
"Angel, you got out. You fought on your own terms and hurt
them more than they ever considered you could. You have the
potential to hurt them even more, but you have to stay free
and unfettered to do so. You can't afford any distractions
from the good fight. Right now, that's what I am for
you."
"You're part of the good fight," Angel said. "An
important part."
"My part," Wesley immediately countered. "Not
yours."
"Being part of Wolfram & Hart's not the way to
fight," Angel said. "Wes... we can get you out of it. I
know we can. Just give me a little more time - "
"This is what I was talking about," Wesley interrupted
him. "You shouldn't be spending so much energy thinking
about me. Not when you have so many other things you should
be focusing on."
That sounded a little too much like what Spike had said
earlier, but Angel still tried to dismiss it. "I can focus
on this and other things, too."
"No, Angel," Wesley told him implacably, "you can't. Not
without compromising things that shouldn't be
compromised."
"So you're saying I should just turn and walk away?"
Angel asked. "You really think I'd do that?"
"You know it's the right thing to do," Wesley said, "if
you'd just think about it."
Angel's chest felt tight. "You want me to go?"
Wesley shook his head. "This isn't about want. We're
dealing with things that are too big to bow to what you and
I might want." He smiled a little. "The problems of two
people don't amount to a hill of beans and all that."
He wanted to be able to tell Wesley that that was
bullshit, but he knew it would be a lie. Slowly, he forced
himself to say, "I guess if we don't want to be stuck here
in this scene forever, I'm supposed to go get on a plane,
huh."
Wesley nodded. "It could be worse," he said after a
moment. "Spike could be Laszlo."
"I don't care about Spike," Angel said, meeting Wesley's
eyes.
Wesley didn't look away. "This isn't about want," he
said again, more softly.
"Yeah," Angel said, wanting to believe that much, if
nothing else. "Okay. I'm going." He didn't move.
"Angel..."
"I'm going," Angel snapped, and this time he started to
walk away.
The fog closed around him, swallowing him up so that he
hardly noticed when the world tilted around him.
From down in the theater, Connor heard Spike call, "Hey!
This isn't the start of the movie!"
"Yeah, this isn't the beginning," Connor muttered,
trying to look at the reel to see if it was mislabeled or
if he'd just put the wrong one in. "Do you think there's -
"
There was a blinding flash of light from the theater,
and he flinched, blinking, trying to clear his vision. He
looked down into the theater to see what the heck had
happened, but all of the seats in the theater were
empty.
On the screen were Angel and Wesley and the others, now
in black and white and wearing different clothes than those
they'd been wearing before.
"Okay, that's not good," Connor said.
Illyria frowned at the screen then looked back at the
projector. "That should not happen."
"No kidding." Connor stared at the screen, watching as
Angel looked down at his hands. "Seriously not good. What
is this, a haunted projector?"
"It is a device that projects nothing more than shadows.
It should not be acting as a portal." Illyria seemed almost
offended.
"Shit," Connor said, running a hand through his hair as
he looked from the screen to the projector and back again.
"Okay, think. How could this have happened?"
"This... projector is not what it seems." Illyria was
still poking at it, running her fingers over the side as if
searching for a magic portal switch.
"One minute they were here, and the next minute they
were just... gone." He narrowed his eyes, trying to figure
out why the situation seemed so familiar.
"Not gone," Illyria corrected. "They are still there."
She gestured at the screen where images of Angel and the
others seemed to be having a rather heated discussion.
"Merely transformed."
"So what the hell happened?" Connor looked at Illyria
suddenly. "Wait! Those articles that I read, the ones about
people disappearing. I think it was back in the seventies,
right before they closed it down. What the heck was that
guy's name?" Connor was talking to himself now, and he had
to hope that Illyria got the hint and didn't interrupt his
train of thought. "Cleary, Cleaver... something. I'm
supposed to interview him next week."
Without waiting for Illyria to respond or follow, he
left the projectionist's booth and went to look for his
backpack.
Finding his bag behind the area they used as the front
desk, Connor dumped everything in it out onto the floor,
searching for the little leather-bound appointment book
that his mom had given him. He rifled through the pages
until he found the name and phone number he was looking
for, then turned to the phone and picked it up.
He dialed the number quickly, muttering, "Try to do
something nice and see what happens," while he waited for
the other end of the line to be picked up.
It took long enough that Connor began to worry that the
guy wasn't home, but after seven rings it was picked up and
an aged male voice said, "Hello?"
"Hi, Mr. Cleary? This is Connor; I'm the college student
doing the project on the Walden. We were supposed to get
together next week."
"Yes, I remember." The man's voice warmed a little.
"What can I do for you, son?"
"Well, this is probably going to sound a little crazy,
but... well, we were showing some movies and something kind
of happened." Connor tried to think of a way to put it that
wouldn't result in the older man hanging up on him.
"Showing movies? Surely not at the Walden..."
"Why not?"
"The projection system was dismantled when the theater
was closed." Connor heard Cleary mutter mostly under his
breath, "I made sure of that."
Okay, that sounded nice and suspicious. "Look, Mr.
Cleary... there's something really weird going on here. If
you know something about it..."
"Tell me exactly what you did and what's happening."
"We found some reels in the basement, and we set up the
projector. But when we started it up, everybody in the
theater sort of... okay, this is going to sound crazy, I
know... disappeared. Into the movie." Connor waited
for Cleary's reaction.
He heard Cleary sigh deeply. "You should never meddle
with things you don't understand, boy," Cleary said
wearily. "Take it from someone who knows." There was a
pause, and then he asked in a more urgent tone, "The film
is still running?"
"Yeah," Connor said, glancing toward the doors that led
into the theater and seeing the flickering light through
the small windows. "Yeah, it's still running."
"You've got to keep it running. Change the reels, don't
let the picture stop. If it does, you'll lose them."
"What do you mean, lose them?" Connor was pretty sure he
knew what Cleary meant, actually, and he didn't like it. At
all.
"The film ends, so do they."
"How do we get them out?"
Cleary didn't answer.
Connor would have gotten up and started pacing if the
phone hadn't been an old-fashioned one with a cord.
"There's a way to get them out, right?"
"I don't know. I can disperse the spell - took me years
but I finally figured that out - but I don't know what that
will do to anyone caught in it."
He glanced toward the projectionist's booth. "Look, we
really need your help. Please."
There was another audible sigh. "I will need to get some
things together, but I will be there as soon as I can."
"Okay. Thanks," Connor said.
"Don't thank me." Cleary sighed again. "I'm so terribly
sorry about this. You don't know how much."
"Don't be sorry," Connor said. "Just get here and show
us how to fix it." Without waiting for a reply, he hung up
the phone, turning to bound back up the stairs into the
projectionist's booth.
Connor and Illyria had switched reels once already and
were getting close to needing to do it again when they
heard the front door to the Walden open downstairs.
"We're up here!" Connor shouted.
A moment later there were unsteady steps preceding the
appearance of a very old and frail-looking man who was
trying to hold onto both a cane and a rather large bag.
"Geez, you could have said something," Connor said,
moving quickly to take the bag from Mr. Cleary. "I'm sorry.
I should have come down to help you."
Cleary waved off the apology. "Quite all right," he
wheezed. "I used to... lug reels up and... down from here
all... the time."
"Well, yeah, but that was, what, thirty years ago?"
Connor asked, setting the bag gently down against the wall
and grabbing a nearby chair, sweeping it clean of dust with
his hand before offering it to the old man. "Here, sit
down."
Cleary did so, nodding his thanks as he sank onto the
chair, still trying to catch his breath.
Meanwhile, Illyria was loading another reel onto the
projector that wasn't running, getting it ready to switch
over as the reel that was being shown was coming to an
end.
Connor crouched down next to Cleary's chair. "So you
know how this happened?"
Cleary nodded, looking haunted. "I did it."
"And when you say 'did it', you mean..." Connor raised
his eyebrows hopefully.
"I was just trying to save the old place. Audiences had
changed; no one wanted to see the old movies anymore. Not
real enough, not exciting enough. I just wanted to show
them, make the movies more real..."
Connor nodded encouragingly. "So you made them a little
too real."
Cleary nodded again. "So I learned too late."
As interested as Connor was in hearing the details, he
couldn't help but glance at the movie screen again, where
Angel, Spike, Gunn, and Gwen were in some kind of western.
"How do we stop it?"
"We have to disperse the spell." Cleary stood up again,
bracing himself heavily on his cane as he did so. "All we
need to do so is in the bag I brought."
Turning to pick the bag up again, Connor offered it to
the old man. "Can we help?"
Cleary took the bag with a soft grunt, then set it down
on the chair to unzip it. "Setting up, certainly. But the
spell I have to do alone. As I did last time."
Connor wasn't crazy about the idea of letting a complete
stranger work magic alone, but he didn't see what choice
they had. "Okay. Just tell us what to do."
Cleary gave him some candles to place in each corner of
the room and light; given Cleary's story, Connor wasn't
surprised to find that there were already discreetly hidden
ledges in place to put them on.
"How did you figure out how to do this?" Connor asked,
the lighter still in his hand as he watched Cleary take out
more supplies.
"Originally? Took a correspondence course on
spellcasting." Cleary lit some incense; its pungent scent
made Connor want to sneeze. "Learned just enough to get
into trouble."
"You learned how to do magic through the mail," Connor
repeated with some disbelief.
"Yes. Madam Fantino's Academy of Spellwork, Foretelling,
and Card Tricks. Never was able to get the knack of the
card tricks."
Connor would have laughed if he hadn't been so worried
about being able to get Angel and the others back out of
the movie - or projector, or wherever they were - safely.
"But you've never gotten anyone out before?"
Cleary looked up, meeting Connor's gaze. "I didn't have
a chance. The first few times it happened, films ended
before I realized what was happening. Not that it would
have done much good; it took me years to figure out the
reverse. By that time, the Walden was closed down and all
of the equipment was safely put away in the basement, safe
where it couldn't do any harm..."
Connor glanced down. "Um, yeah. We kind of found
it."
"So I gathered," Cleary replied dryly as he pulled out a
small brazier and set it up.
"It's not like there was any way for us to know," Connor
protested. "Couldn't you have, I don't know, just smashed
everything to bits? Or put a label on it? 'Warning - this
projector is possessed.'"
"Would you have listened if I had?"
"If there'd been a warning that the projector was all
full of evil magic?" Connor shot back. "I'm pretty sure I
would have paid attention, yeah."
"Huh," Cleary said, sounding impressed. "Most kids your
age, that would've just egged them on."
"Yeah, well... let's just say I've seen enough of this
kind of stuff to know better," Connor said.
"An important thing to have learned so young." Cleary
was emptying various herbs and other things in the
brazier.
"Too bad there's so much of it to remember," Connor
said. He glanced at Illyria, who was standing at the window
watching the screen in that creepily still way she had.
"What happens if they are damaged within the shadows?"
Illyria asked suddenly, not looking away from the
screen.
"What do you mean, damaged?" Connor asked, looking at
the screen in time to see Angel and Gunn and Gwen shooting
old-fashioned guns and being shot at in return.
Cleary also glanced up and paled. "Oh dear," he said
faintly.
Illyria turned her attention from the screen to him.
"You will get them back now," she informed him
imperiously.
"Yes, time does appear to be of the essence," Cleary
agreed, still staring at the screen.
"Now," Illyria repeated, stepping closer to the old
man.
Great, that was all they needed, Illyria accidentally -
or, knowing her, deliberately - killing some poor old guy.
"He will," Connor told her. "Right?"
"Right," Cleary said, tearing his gaze from the screen,
only to do a double take at Illryia as if he hadn't quite
noticed her before.
"So, what do we do now?" Connor asked, thinking that
trying to explain Illyria would take more time than they
had.
Cleary shook himself and turned back to the brazier he'd
been using. "You and the young... lady leave and I do the
mojo I need to do in here."
"Wait, you never said anything about us not being in the
room," Connor said, frowning.
"Didn't I?" Cleary frowned then shook his head. "No
matter. I have to do this alone. It's the only way it will
work."
"You said you don't even know if it will work," Connor
pointed out.
"I don't. But I know it will definitely not work
if I don't do it exactly the right way."
"What about the reels?" Connor asked.
"Leave them." Cleary smiled. "I spent a good portion of
my adult life as a projectionist. I can manage to change a
few more reels."
"Okay..." Connor said doubtfully, but he turned to
Illyria. "Come on. We can wait right downstairs."
Illyria didn't move. "If they are not recovered, I will
remove your bones one by one and grind them to dust while
you watch." Only then did she move to follow Connor
out.
Connor had just started packing up his bag again when
there was a flash of light bright enough that it lit up not
only the windows in the theater doors but the cracks around
all sides of the doors as well. He blinked and then, before
he could even think about it, ran into the theater.
Across the first couple of rows of seats, sprawled as if
they'd been thrown there by some kind of explosion, were
all of their missing people.
"Wow. Are you guys okay?" Connor asked, rushing over to
Wesley, who was closest, and reaching out a hand to help
him to his feet.
"Live and in color and still in one piece," Gunn
replied, righting himself and holding out a hand to help
Gwen up as well.
"Mostly," Angel said, fingering a rip in the cuff of his
sleeve and giving Spike a dark look.
"Hey, at least it got us out of the movie," Spike
protested.
"What I want to know is how we got in it in the first
place," Angel said, getting up.
"Um, yeah... that was my fault." Connor glanced down at
the rug before raising his eyes again and meeting Angel's
gaze.
"Why does that not surprise me?" Spike asked, and Wesley
gave him a quelling look.
"Shut up," Angel said, not turning to look at Spike.
"What do you mean, it was your fault?"
"I didn't know," Connor said. "The projectors are...
there's a spell on them. Or something." He glanced to
Illyria, who had moved closer to Wesley.
"The former keeper of these machines used them to create
a portal into the images they show," Illyria said.
"I guess he hadn't counted on reality TV," Connor said
sheepishly.
"Yeah, like that's real," Gunn said,
straightening his jacket.
"So, how'd you get us out?" Angel asked.
"There was this guy who used to work here," Connor said,
looking up at the projectionist's booth, where all he could
see was the flickering light of the projector. "And
he..."
"Don't suppose that's him?" Spike asked, gesturing at
the screen.
Connor looked up at the screen just in time to see Mr.
Cleary turn and walk away into the fog with Louis from
Casablanca. As they watched, Mr. Cleary glanced back
over his shoulder once and smiled.
"Yeah," he said. "That was him. Guess he got the reality
he wanted after all."
"I want you to take that projector apart," Angel said.
"Into little pieces. Lots of them."
Connor nodded. "I will. And... I'm glad you're
back."
"Come on," Spike said, starting up toward the lobby. "I
want to watch while you take that thing apart. Last thing I
want's to end up in another bloody western."
Illyria looked at Wesley one more time, then fell into
step beside Connor.
"Although," Spike added, "I wouldn't mind another shot
putting bullets into Angel. Could get used to that."
"You know," Gunn said to Angel as they followed behind,
"the next time we're looking for a new office, we really
need to research the building before we buy it. And
if there's any disappearances, strange suicides,
sacrifices, hauntings, or the pipes have a history of
creaking loudly, we give it a pass."
Gwen smiled at him. "Gotta hand it to you, spending time
together is never boring."
"Yeah, I'll have that put on my tombstone." Gunn posed
and gestured with his hand at imaginary lettering. "Here
lies Charles Gunn. He was never boring."
"There's a lot more you could put on it as well." Gwen
said. "Y'know, in spite of everything, I had fun
tonight."
Gunn looked at her dubiously. "You did?"
Gwen nodded. "I'm not saying I'd want to get into the
movies again, but... I got to be Lauren Bacall in one of
the most famous scenes ever." She smiled at him again. "And
I had a really hot Bogey."
They reached the doors and paused in front of them. "You
said to wait until we were back to ask you if you wanted to
try this date thing again so..." Gunn took a deep breath.
"Do you? I promise next time we'll do something more
date-like and normal. No altered realities or ancient
demons allowed."
"You know how to get a hold of me," Gwen replied with a
sultry look. She leaned in and kissed him, slipping a piece
of paper into his hand as she did so. When she pulled back,
she continued, "If whistling doesn't work, you can always
try calling me."
She winked at him, turned, and left.
Gunn unfolded the paper she had given him; he grinned
when he saw a list of all of Gwen's phone numbers, put the
paper back into his pocket, and headed back into the
lobby.
Whistling.
"So," Angel said, turning to Wesley. "That was quite a
ride, huh? The Maltese Falcon, Treasure of the
Sierra Madre... Connor saving the day... He did
good."
"Yes, he did," Wesley replied distractedly. "Angel, I -
"
"I really think he has a future in this kind of work,"
Angel added. "I mean, instincts. You know?"
"He does show talent in many things," Wesley agreed.
"Angel, I have - "
"Although I could have lived without the Spike shooting
me thing," Angel continued. "You should be glad you missed
that part."
"Angel, I have to leave."
Angel blinked. "What?"
"I have to leave," Wesley repeated. "Angel, we discussed
this - "
"That was part of the movie," Angel said stubbornly.
"No," Wesley said. His voice was soft and implacable.
"It wasn't."
Angel had known that, but he hadn't wanted to believe
it. "So, this is it? I don't get any say?"
"What is there to say, really?" Wesley asked. "The facts
are what they are, you can't change them."
"I always thought that was what we did," Angel said.
"You know... the impossible."
"Sometimes. But sometimes the impossible stays
impossible." Wesley took a deep breath and turned away. He
looked back over his shoulder and met and held Angel's gaze
for an endless moment. "I'm still on your side," he said.
"That's not going to change." He turned away again and
started for the door.
Angel didn't know what else to do but watch him go.
As Wesley passed the alley, Johanna emerged from the
shadows and fell into step beside him.
Wesley didn't look at her, didn't want to acknowledge
her, but couldn't keep himself from asking, "The Haunters
will be called off?"
"You can give the order yourself," Johanna replied.
"After all, you're the boss."
"So it would seem," Wesley said.
"Cheer up," Johanna encouraged him as they made it to
where he'd left his SUV. "You've plenty to handle, but I'll
be here to help."
Wesley didn't answer, just unlocked the vehicle and got
in behind the wheel. He didn't say anything either when
Johanna got into the passenger seat. His hands itched to
wrap around her neck, and he white-knuckled the steering
wheel to quell the urge.
"I think this is going to work out nicely," Johanna
continued. "You may have veered off course for a while, but
now you're back on track, and I'm sure you're going to be a
huge success. You should remember this moment, Wesley. This
could be the start of a beautiful friendship."
End.